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Working in both the intricately syncopated Piedmont fingerpicking style as well as her own deeply bluesy lap-slide guitar, Mary Flower has earned raves from
critics and audiences alike for her springwater-clear vocals and guitar mastery, as well as her beautiful original compositions. But though she can flawlessly reanimate
prewar blues classics, Flower isn’t content to be just another curator of the classic blues museum. Instead, she draws on traditional, contemporary, and original
material to create something brand new, a sound that, while uniquely her own, remains true to the timeless power of the blues.
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